I've always been more interested in why something works than simply what it looks like.
I'm fascinated by the decisions that shape how people experience things. Why one product feels obvious to use. Why one brand earns trust while another doesn't. Why one idea spreads effortlessly while another never quite lands.
That's what continues to drive my work today: using creativity to make things clearer, more intuitive and more meaningful for the people they're meant to help.
Today I'm looking to join a team where thoughtful ideas are challenged, tested, refined and turned into exceptional work.
2001
I started in advertising, marketing and design agencies, creating brands, campaigns and creative work for organisations ranging from local businesses to international brands. More importantly, agencies taught me a way of thinking: how to challenge ideas, defend creative decisions, collaborate with specialists and solve problems with a clear audience and commercial objective in mind. Agencies taught me that good creative work isn't driven by personal taste. It's driven by purpose. Every decision needs a reason, every idea needs to solve a problem, and every project needs to earn its place.
As a freelance designer, I worked with agencies that needed an extra pair of hands, fresh thinking or specialist support. Every project introduced me to different teams, brands and ways of solving creative problems. Instead of learning one agency's process, I was exposed to many — picking up new techniques, perspectives and ways of thinking with every collaboration.
Then I started building businesses of my own.
That changed the way I think about creativity.
When it's your own money, reputation and customers on the line, design stops being an exercise in aesthetics. It becomes a tool for solving real problems.
I've launched physical products, built digital products and created brands from scratch. Along the way I learned that even the best ideas only succeed when people understand them, trust them and see their value.
Along the way, I've also worked outside the creative industry, from events to construction sites and a few farms. It was a useful reminder that most people aren't thinking about branding, typography or user experience. They simply want products and services that make sense and make life easier.
Today I bring together agency creativity, freelance adaptability, entrepreneurial thinking and real-world commercial experience — helping businesses create work that's not only beautiful, but genuinely useful and effective.
20+ YEARS
The longer I've worked in creative industries, the more my appreciation for great design has grown. Not because it makes things look beautiful, but because it influences how people think, feel and behave.
I've come to see design and communication as inseparable — and most people don't understand why. Beautiful visuals can capture attention, but without a clear message, even exceptional creative work can struggle to achieve its purpose.
One of the biggest challenges is that the value of great design isn't always immediately visible. When budgets are tight or deadlines are short, it's often seen as something nice to have rather than something that can fundamentally improve how people understand, trust and engage with a business.
Great design is great for business.
I've seen brilliant businesses held back because their messaging and design tried to explain everything, instead of helping people understand the one thing that mattered most. I've seen average products outperform better ones simply because people understood them more quickly. I've seen talented teams spend months solving the wrong problem because nobody stopped to ask a simpler question.
The people we're designing for don't separate branding from websites, websites from products, products from customer service or customer service from reputation.
To them, it's all one experience
Perhaps the hardest lesson I've learned is that understanding why people buy people is far more difficult than understanding design.
Every customer arrives with different goals, expectations, experiences and assumptions. You can't design an experience that's perfect for everyone, but you can remove unnecessary friction, reduce confusion and make the right path feel obvious.
That's why I'm fascinated by (customer journeys) how people experience a business. Not as diagrams or marketing exercises, but as a way of understanding how people actually experience a business from beginning to end.
Whatever I'm working on, I find myself asking the same four questions.
If people have to work hard to understand something, we've probably made it harder than it needs to be. Good design and clear communication should make complex ideas feel simple.
Trust is built through consistency, clarity and attention to detail. Every interaction, no matter how small, shapes how people perceive a brand.
Whether it's a website, product, brochure or service, every experience should feel intuitive. The best design removes friction instead of creating it.
The strongest creative work leaves people with something that sticks. Sometimes it's a visual, sometimes it's an idea, and sometimes it's simply the feeling they had when interacting with it.
Whether I'm designing a brand, a website, a campaign or a product, those questions rarely change.
From ads to landing pages, digital to print, and exhibitions to in-store or outdoor experiences. I see it as one connected experience.
The projects I enjoy most sit at the intersection of strategy, creativity and execution. They're rarely about making something look better for the sake of it. They're about helping people understand something more clearly, connect with it more deeply and have a better overall experience. Because customers are fragile – you can loose them very easily. You want them to keep coming back or tell their friends how your business rocked their world.
I'm at my best alongside people who believe thoughtful design is an investment, not an expense. People who understand that the best creative work doesn't just inspire, it helps businesses grow because it makes life easier for the people they serve.
2026
I've enjoyed the freedom to build brands, launch products, explore ideas and wear far more hats than any sensible person probably should. It's made me adaptable, resourceful and endlessly curious, while giving me the opportunity to experience almost every stage of the creative process firsthand.
Over time, I've realised that some of the most rewarding work doesn't happen in isolation.
It happens when talented people challenge each other's thinking, build on ideas together and share a common ambition to create something exceptional.
I miss the conversations that sharpen ideas.
I miss learning from specialists who see the world differently to me.
I miss the energy that comes from building something bigger than any one person could create alone.
I've experienced creative work from multiple perspectives — agency designer, freelancer, business owner and product creator.
Each role has shaped the way I think, helping me balance creativity with commercial thinking, craft with clarity, and ideas with execution.
Today, I'm excited by the opportunity to bring that perspective into a talented team, contribute everything I've learned and continue learning from people who care just as deeply about creating meaningful work.
I'm at my best when I'm surrounded by curious people, thoughtful conversations and ambitious projects that make a genuine difference.
£&$%}0000
For me, creativity has never been something that begins at 9am and ends at 5pm. I'm naturally curious, and that curiosity has a habit of following me home.
Sometimes it's a digital product. Sometimes it's a physical one. Sometimes it's a simple question that gradually grows into an idea, a prototype or an experiment.
I enjoy exploring problems from different angles, testing ideas and discovering what works by actually making things rather than just thinking about them.
Whether it's products, technology, psychology, aviation, entrepreneurship or the outdoors, I'm endlessly interested in understanding how people interact with the world around them and how thoughtful design can make those interactions simpler, clearer and more enjoyable.
I often find inspiration outside the creative industry, because the best ideas rarely come from looking at more design.
Over the years I've explored everything from product design and manufacturing to branding, mapping projects, web applications and business ideas.
Not because I wanted to collect hobbies, but because every project teaches me something new — about people, communication, problem-solving or the process of turning an idea into reality.
Many of those lessons eventually find their way back into my creative work.
TIMELINE
Twenty+ years. Five businesses. Dozens of roles across agencies, startups, and solo practice. From tearing apart electronics as a kid to building brands. It's the long version of how curiosity, adaptability, and a refusal to stay in one lane shaped the way I work. Fuelled by curiosity, creativity, and a habit of solving problems.
5
Companies
50
Advertising agencies
200
Clients
100's
of brands
1000's
of printed and digital ads, brochures, websites, and logos